top of page

(2011) for soprano and bass instrument, and coral reef ecoacoustics 

instrumentation: one high instrument, one low instrument, artificial coral (played by the musicians), + audio playback.  


score is written for Bb soprano sax and bassoon and any soprano and bass instrument may be substituted.
with recorded reef sounds and electronics


“Free-swimming larvae of tropical corals go through a critical life-phase when they return from the open ocean to select a suitable settlement substrate. During the planktonic phase of their life cycle, the behaviours of small coral larvae (,1 mm) that influence settlement success are difficult to observe in situ and are therefore largely unknown. Here, we show that coral larvae respond to acoustic cues that may facilitate detection of habitat from large distances and from upcurrent of preferred settlement locations. Using in situ choice chambers, we found that settling coral larvae were attracted to reef sounds, produced mainly by fish and crustaceans, which we broad- cast underwater using loudspeakers. Our discovery that coral larvae can detect and respond to sound is the first description of an auditory response in the invertebrate phylum Cnidaria, which includes jellyfish, anemones, and hydroids as well as corals. If, like settlement-stage reef fish and crustaceans, coral larvae use reef noise as a cue for orientation, the alleviation of noise pollution in the marine environment may gain further urgency.”


From Coral Larvae Move Toward Reef Sounds,  by Mark J. A. Vermeij, Kristen L. Marhaver, Chantal M. Huijbers, Ivan Nagelkerken, and Stephen D. Simpson


“Coral Attractions” celebrates the fact that acoustic vibrations draw living things together. Humans are drawn together through our music. And even animals such as coral (which lack ears or any apparent audititory apparatus) find one another using sound. This attraction by coral larvae to the reef is mysterious and previously no one imagined that such animals could detect directional acoustic cues and respond to them. It turns out that the largest biological structures on Earth result from this attractive sonic relationship.

Special thanks to EcoSono Institute collaborator, biologist Reginald Garrett.
“Coral Attractions” was composed as a wedding present for Mike Straus and Dana Jessen.

Coral Attractions (2011)

  • Performance materials include a PDF score for a six minute and nine minute versions, and fixed media electronic tracks for both versions. The gallery installation version is available in the installation art section.

bottom of page